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A private combo tour pairing the real Acropolis with the genuine Acropolis Museum.
A private tour for your group only, real stops at both the genuine Acropolis and the Acropolis Museum.
This is a private tour for your group only. Real stops include the genuine Acropolis and the Acropolis Museum, whose glass floor sits over active excavations.
A popular starting point — every Voyzo itinerary is fully customizable, so we'll shape the order and stops around your group.
Hotel pickup in Athens.
The genuine Acropolis and its museum.
Genuine excavations visible below.
No other travelers.
Back to your hotel, home, or the airport — whenever your day wraps up.
A private tour for your group only, real stops at both the genuine Acropolis and the Acropolis Museum. This is a private tour for your group only. Real stops include the genuine Acropolis and the Acropolis Museum, whose glass floor sits over active excavations.
The Acropolis Museum opened on 20 June 2009, designed by the Swiss-French architect Bernard Tschumi working with the Greek architect Michael Photiadis. Rather than tuck the building away from the archaeology beneath it, the design makes the dig site part of the visit: the museum sits directly over an active excavation, and a glass floor near the entrance lets visitors walk above pottery fragments, foundation walls, and drainage channels from earlier phases of the city, layered one on top of another going back centuries before the Parthenon was ever built.
The museum's top floor, the Parthenon Gallery, is an all-glass room set at a 23-degree rotation from the rest of the building — a shift made specifically so the gallery lines up directly with the real Parthenon visible through the windows, and so its frieze and sculptures are displayed in the same orientation they originally had on the temple itself, under natural daylight rather than artificial gallery lighting.
That top floor is also where the museum makes its clearest, quietest argument in an ongoing real dispute. Of the Parthenon's surviving sculptural decoration, roughly half remains in Athens and a large share is held by the British Museum in London, which now refers to them as the Parthenon Sculptures rather than their older name, the Elgin Marbles — after Lord Elgin, the British diplomat who removed them from the Acropolis in the early 1800s while Greece was under Ottoman rule. The UK government's position is that the sculptures were acquired legally under the laws of that time and are now the property of the British Museum's trustees; the Greek government's position is that they were taken without legitimate authority and belong reunited with the rest of the frieze in Athens. Rather than leave the gaps blank, the Acropolis Museum fills them with plain white plaster casts of the London originals, standing in stark visual contrast next to the weathered, honey-colored ancient marble around them — a deliberate design choice that makes the absence itself part of what you're looking at.
Every Voyzo tour is a starting point — tell us what you have in mind and we'll build it.
